ith two nights at The Whale launching March in style and a return to the Pavilion Theatre on the 10th, Phelim Drew is blissfully busy right now.
Which after the year pretty much all artists have had to endure has the Greystones lad counting his blessings.
“It’s been a dreadful year and more for artists of all shapes and colours,” he says, “so, to have anything going on that doesn’t involve performing in front of a computer feels like heaven. And these music gigs are particularly welcome, as they’re all about celebrating, and just having a good time…”
Being the son of Ireland’s answer to Johnny Cash and June Carter, it was inevitable that Phelim Drew would get the music bug. Even as his acting career took hold, the influence of Ronnie and Deirdre, and their love of having live music sessions in their Killincarrick Road home, meant both the young Phelim and big sis Cliodhna had front row seats for some of the finest gigs available to man or beast.
And it wasn’t all just diddley-aye potatoes when it came to that live music either, the Drew household quaking to music from all over the world, as Phelim explains…
My first memory of how music impacted me was not quite what you’d think considering the background of traditional music that I grew up with.
When we lived with my grandmother, we had a record player on the floor in the sitting room with a stack of LPs beside it and among these was a record by George Formby, a British music hall star of the 1930s – a ‘cheeky chappie’ who played a banjo ukelele.
I was obsessed with this record and once told a visitor who I made listen to a song from the album, “That was me when I was young”.
Growing up I was increasingly aware of the popularity of The Dubliners and for me a trip to see them perform was electrifying. Each of the band members had huge charisma but as a band they were second to none. In terms of Irish music I’ve loved traditional music since I was a child, from groups like Planxty, De Dannan and The Chieftans to virtuoso musicians too numerous to mention.
My father’s record collection was eclectic, including classical, flamenco, jazz, bluegrass, blues and, of course, folk and trad. Many of LPs were by friends of my dad’s, like Louis Stewart, Paco Pena, Billy Connolly or Hamish Imlach. This connection always added an extra dimension when listening to the music.
From about the age of twelve I started to get into early rock’n’roll – Bill Hailey, Chuck Berry, Eddie Cochran and The Georgia Peach himself, Little Richard. This led to a passion for blues and soul, with Aretha Franklin and Ray Charles leading the way.
The records I’d grab in the imminent apocalyptic flood would include…
The Nitty Gritty Dirt Band Will The Circle Be Unbroken (1972) A real touchstone for anyone interested in American folk and bluegrass.
Muddy Waters Folk Singer (1964) The simplicity of this record still sounds fresh and alive, and somehow timeless.
Sonny Boy Williamson Don’t Let Your Conscience Be Your Guide (1959) As opposed to Don’t Let The Guide Be Your Conscience. Another blueprint for a whole new wave of music…
John Lee Hooker The Healer (1989) Proving that, when it comes to some old dogs, there’s always life, this comeback album gave John Lee Hooker.
Aretha Franklin Impossible to pick one album, as Aretha was one of those artists that just spread the wealth over the decades. So, just grab the nearest Aretha album, and let it rip. In the meantime, let this latter day performance send you on your way…
k.d. lang Drag (1997) Someone who took country music to a whole new place, on one level, k.d. lang’s sexuality was a big part of the equation but then, when it came to these wonderful songs, any politics fell away to reveal the tender, yearning heart inside each and every one of us.
Roy Orbison & Friends ABlack And White Night (1988) Akin to Hooker’s The Healer, the great Roy Orbison found himself being feted by a whole new generation – Springsteen, Costello, etc – bringing his remarkable music to a whole new audience. I’m a sucker for a great comeback…
Ray Charles Ray Sings Basie Swings (2006) It’s Ray Charles. With Count Basie. On the one album.
Guy Clarke, Townes Van Zandt, Lucinda Williams… Just love that wave of country hippies, taking it down from the mountains and into the latenight bars.
Led Zeppelin, The Who, The Sex Pistols, Nirvana… Every now and then, you have to blow the cobwebs out. Of the entire street.
Declan O’Rourke, Lisa Hannigan, Mary Coughlan, Damian Dempsey, Mick Flannery… Great to see that Irish music is so alive and vibrant today. These are artists that my dad would rave about. And I’m happy to rave about them too…
Phelim Drew & The Drew Band are at The Whale on March 3rd and 4th – tickets here. Phelim will also be at the Pavilion Theatre on March 10th, details here.
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